Amid the high-octane yet monotonous background score in “Turbo,” one distinctive sound stands out—the whirring of an accelerator, signaling when ‘Turbo’ Jose (Mammootty) is about to engage in one of his frequent fights. This auditory cue is meant to heighten anticipation, warning viewers of the impending action. However, despite the promised action sequences, the film’s weak foundation quickly erodes any sense of excitement, leaving audiences indifferent to whether the story hits top speed or not.
Online Hate Campaign Against Mammootty
Recently, an online hate campaign targeting Mammootty has drawn widespread political and social condemnation, highlighting the actor’s significant influence and the public’s strong reactions to his work.
Film Overview
“Turbo” marks an improvement from director Vysakh’s previous venture, the critically panned “Monster.” The film adopts a minimalistic approach to storytelling, focusing instead on delivering a series of action set pieces. Screenwriter Midhun Manuel Thomas’s task is to provide just enough narrative to connect these action sequences, which unfortunately leaves little room for developing a compelling storyline.
Action and Cinematography
The film’s action scenes are meticulously choreographed, showcasing Mammootty’s prowess in combat. Each fight is prefaced by the signature whirring sound, an attempt to build tension and anticipation. However, the repetitive nature of these sequences and the lack of a strong narrative arc diminish their impact over time.
Storyline and Screenwriting
The storyline in “Turbo” is thin, serving primarily as a vehicle for the action. This bare-bones approach results in a lack of emotional depth and character development, making it difficult for viewers to invest in the plot or the characters. Midhun Manuel Thomas’s screenplay does not manage to reverse the downward trajectory of his career, offering little beyond the necessary context for the action scenes.
Conclusion
“Turbo” may offer some respite for fans of Mammootty and action cinema, particularly when compared to Vysakh’s previous work. However, the film ultimately fails to sustain its initial promise due to its weak narrative structure. Despite its efforts to entertain through relentless action, “Turbo” struggles to maintain momentum, leaving audiences wishing for a more compelling story to match its high-energy sequences.
Published by:
Dipan
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